BreakingFilm ReviewsHannah TranSpotlight Film Review: “The Last Letter from Your Lover” Would Be Better Left UnsentJuly 22, 2021
BreakingFilm ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “Les Nôtres” Is a Harrowing Coming-of-Age Tale For Our TimeJune 17, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “An Unknown Compelling Force” Isn’t Ever As Compelling As Its SubjectJune 14, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Wrath of Man” Is Best At Its Most BrutalMay 6, 2021
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Beast Beast” Examines the Teenage Experience with Fresh EyesApril 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Monday” Is a Near-Charmless Glimpse into a Charming SummerApril 15, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Own the Room” Is an Inspirational Story with a Weak ApproachMarch 11, 2021
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “My Beautiful Stutter” Is Cinematically Unremarkable, but Socially VitalMarch 10, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “To All the Boys I Loved Before: Always and Forever” Is a Worthy Sendoff to Some of Romcom’s Newest and Finest CharactersFebruary 12, 2021
Featured SpecialtyFestivalsFFT Festival CoverageHannah TranInterviewsSpotlightSundance Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion”February 10, 2021
