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  • “The History of Concrete” Offers Hilarious Meditation
  • “Resident Evil” Is a (Mostly) Fun and Frightening Ride
  • TIFF Review: “Fjord”
  • TIFF Interview: “The Hummingbird Paints Fragrant Songs” Directors Èlia Gasull Balada and Matteo Norzi
  • TIFF Interview: “Re/Pair” Director Lacey Schwartz Delgado
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SXSW Review: “The Spine of Night” Offers a Fantastical Vision to Celebrate

March 21, 2021
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SXSW Review: Covid-19 Centered Drama “The End of Us” Tells a Compelling, Engaging Story About Two Exes Forced to Live Together in Quarantine

March 21, 2021
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SXSW Review: In “Alien on Stage,” Everyone Can Hear You Scream (with Joy)

March 21, 2021
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SXSW Review: “The Hunt for Planet B” Explores the Search for Another Life-Sustaining Planet While Also Taking an Introspective Look at Our Own

March 20, 2021
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SXSW Review: The Past Is Inevitable in “The Drover’s Wife: The Legend of Molly Johnson”

March 19, 2021
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SXSW Review: “Here Before” Explores the Unnerving, Volatile Obsession of a Mother Who has Lost a Child

March 18, 2021
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SXSW Review: Beware the CEO As Guru in “WeWork: Or the Making and Breaking of a $47 Billion Unicorn”

March 17, 2021
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SXSW Review: “Luchadoras” Showcases the Brave Female Wrestlers of the Dangerous Ciudad Juárez in Their Fight Against Femicide

March 16, 2021
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What to See (Virtually) at SXSW 2021

March 15, 2021
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Sundance Review: “Land,” Despite Occasional Missteps, Offers Profound Healing

February 11, 2021
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Sundance Interview with Dan Deacon, Composer for “All Light, Everywhere,” “Philly D.A.” and “Strawberry Mansion”

February 10, 2021

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Featured Specialty
  • “The History of Concrete” Offers Hilarious Meditation
    By Patrick Howard
    September 18, 2026
    The History of Concrete (John Wilson, 2026) 4½ out of 5 stars Have you ever heard of the old idiom “this is like watching paint dry”? A classic phrase to describe an act that will most certainly bore you to tears. With that idea in mind, hearing about filmmaker John Wilson’s new documentary The History of Concrete may send a shiver of tedium down your spine. Remarkably, John Wilson (HBO’s How to with John Wilson series) transforms material that ... >>
  • TIFF Review: “Fjord”
    By Christopher Llewellyn Reed
    September 17, 2026
    Fjord (Cristian Mungiu, 2026) 4½ out of 5 stars Norway is a beautiful country with majestic landscapes, home today to a people steeped in progressive Western European principles, its violent Viking past a distant memory. In Fjord, the latest film from Romanian writer/director Cristian Mungiu (Graduation)—who won his second Cannes Palme d’Or in May of this year—we find ourselves immersed in the life of a small waterside town, following the ... >>
  • TIFF Interview: “The Hummingbird Paints Fragrant Songs” Directors Èlia Gasull Balada and Matteo Norzi
    By Christopher Llewellyn Reed
    September 17, 2026
    TIFF Interview: “The Hummingbird Paints Fragrant Songs” ... >>
  • TIFF Interview: “Re/Pair” Director Lacey Schwartz Delgado
    By Christopher Llewellyn Reed
    September 16, 2026
    The new documentary Re/Pair, from director Lacey Schwartz Delgado, features a series of conversations between Black and Jewish Americans on the topic of tensions and solidarity between their respective groups. I saw the film ahead of the 2026 Toronto International Film Festival (during which I reviewed it) and then during the festival spoke in person with Schwartz Delgado. Here is that conversation, edited for length and clarity. ... >>
  • TIFF Review: “Phoolan”
    By Christopher Llewellyn Reed
    September 16, 2026
    Phoolan (Richie Mehta, 2026) 4 out of 5 stars Phoolan Devi, known as India’s “Bandit Queen,” may have been assassinated in 2001, but her earlier armed rebellion against the country’s deep-seated misogyny and caste prejudice made of her a star that keeps shining today. In writer/director Richie Mehta’s latest work, Phoolan, she is an unstoppable force to be reckoned with, refusing to accept the terms dictated by her world. Though born ... >>
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