Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Beyond the Infinite Two Minutes” Offers Rudimentary but Fun Enjoyment January 25, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “FRESH” Has a Stellar Cast, but its Social Commentary Only Cuts Skin-Deep January 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight Sundance Sundance Review: In “Emily the Criminal,” Aubrey Plaza Rocks the System January 24, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “Emergency” Is a High-Stress Comedy That Sufficiently Juggles Humor and Horror January 23, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Melanie Addington Spotlight Sundance Sundance Review: In “Nothing Compares,” Sinéad O’Connor Is Agitator, Activist and Seed January 22, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Hannah Tran Spotlight Sundance Sundance Review: “When You Finish Saving the World” Is a Sharp and Sweet Debut for Jesse Eisenberg January 21, 2022
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Despite Limitations, “The Tiger Rising” Achieves a Decent Outcome January 21, 2022
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: “Wheel of Fortune and Fantasy” Spins an Uneven Triptych, but Still Intrigues January 17, 2022
Breaking Film Reviews Matt Patti Spotlight Film Review: “Scream” Works As a Suspenseful Slasher, But Not Quite As Part of the Franchise January 13, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: In “Sex Appeal,” The Positive Can’t Quite Defeat the Negative January 13, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: While the Concept of “Stoker Hills” Allures, the Execution Fails January 13, 2022
