Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Siren Song of “Lorelei” Mostly Enchants July 29, 2021
Featured Specialty Film Reviews Matt Patti Specialty Releases Spotlight Film Review: In Horror Anthology “Lilith,” Looks are Deceiving July 29, 2021
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In Often Gripping “The Evening Hour,” Less Is More, Until It Isn’t July 29, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “The Boy Behind the Door” Initially Strikes Gold, but Loses Momentum by the End July 28, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: M. Night Shyamalan’s “Old” Takes a Clever Concept and Creates a Bit of a Mess July 22, 2021
Breaking Film Reviews Hannah Tran Spotlight Film Review: “The Last Letter from Your Lover” Would Be Better Left Unsent July 22, 2021
Adam Vaughn Breaking Film Reviews Spotlight Film Review: In an Otherwise Generic Story, the Protagonist of “Blood Red Sky” Shines July 22, 2021
Adam Vaughn Featured Specialty Film Reviews Spotlight Film Review: “Last Call: The Shutdown of NYC Bars” Succeeds with an Intimate, Brief Look at Its Conflict July 12, 2021
Featured Specialty Film Reviews Robin C. Farrell Specialty Releases Spotlight Film Review: “Scales” Conceives a Fresh and Sinister Take on Mermaids July 9, 2021
AFI DOCS Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight AFI DOCS Review: “Pray Away” Examines the Dangerous Consequences of Conversion Therapy July 7, 2021
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Son” Shines with Excellent Mother-Son Chemistry and a Twisty, Absorbing Plot July 7, 2021
