Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “La Llorona” Profoundly Covers Multiple Topics of Foreign Affairs and Racial Tension, but Sometimes Forgets to Be a Horror Movie August 5, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Again Once Again” Explores an Existential Crisis July 29, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre Tropes July 23, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club” July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Film Reviews Patrick Howard Specialty Releases Spotlight Film Review: “Elvis from Outer Space” Trolls the Audience with Zero Charm July 7, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: In “Family Romance, LLC,” Werner Herzog Once More Explores the Oddities of Human Behavior July 3, 2020
Breaking Christopher Llewellyn Reed Series Specialty Releases Spotlight Series Review: In “The Baby-Sitters Club,” Vibrant Young Women Grow Up July 2, 2020
