Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “Pretending I’m a Superman: The Tony Hawk Video Game Story” Is a Good Introduction to, but Poor Analysis of, the Game That Shaped the Sport Behind It August 17, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: “D.N.A. Definitely Not Appropriate” Is Genetically Passable August 13, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “La Llorona” Profoundly Covers Multiple Topics of Foreign Affairs and Racial Tension, but Sometimes Forgets to Be a Horror Movie August 5, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “Again Once Again” Explores an Existential Crisis July 29, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “A Deadly Legend” May Pass As a Funny Student Film, but Is Littered with Flaws and Low-Quality Genre Tropes July 23, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Though Macdonald and Hedlund Shine in “Dirt Music,” the Narrative is Too Often Out of Tune July 16, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: Let the Sun Set on “The Sunlit Night,” Please! July 16, 2020
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “Useless Humans” Falls Short of Being a Potentially Original Sci-fi Comedy July 14, 2020
Christopher Llewellyn Reed Featured Specialty Film Reviews Specialty Releases Spotlight Film Review: The Short Documentary “The Claudia Kishi Club” Is the Perfect Companion Piece to “The Baby-Sitters Club” July 9, 2020
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: “The Old Guard” Mostly Delivers on Its Promising Premise July 9, 2020
Film Reviews Patrick Howard Specialty Releases Spotlight Film Review: “Elvis from Outer Space” Trolls the Audience with Zero Charm July 7, 2020
