Christopher Llewellyn Reed Featured Specialty Film Reviews Spotlight Film Review: “Fire Will Come” Warms the Mind, If Not the Soul October 29, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “May the Devil Take You Too” Is a Horror Sequel That Matches Its Predecessor in Terror and Tops It in Senselessness October 28, 2020
Christopher Llewellyn Reed Featured Specialty Interviews Spotlight Interview with “Black Boys” Director Sonia Lowman October 24, 2020
Breaking Christopher Llewellyn Reed Series Spotlight Series Review: “The Queen’s Gambit” Delivers Passable Strategy, If Not Much More October 22, 2020
Breaking Film Reviews Hannah Tran Spotlight Film Review: “Radium Girls” Has a Strong Message but Weak Direction October 22, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Borat Subsequent Moviefilm” Is a Mostly Glorious Sequel October 22, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: Scary Yet Formulaic, “32 Malasana Street” Weaves a Suspenseful Yet Unsurprising Horror Tale October 21, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “White Noise” Needs Fine-Tuning October 21, 2020
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: “Rebecca” Offers Visually Rich, Dramatically Poor Landscape October 21, 2020
Featured Specialty Film Reviews Matt Patti Spotlight Film Review: “The Mothman Legacy” Documentary Explores Its Titular Creature in Unique New Ways October 19, 2020
Adam Vaughn Breaking Film Reviews Spotlight Film Review: “Chop Chop” Is a Rustic, Poorly Executed Presentation of an Otherwise Interesting Concept October 19, 2020
