Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightTribeca TIFF Review: In “The Mad Women’s Ball,” Women Set Themselves FreeSeptember 22, 2021
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: Did We Need Another “Cinderella”? Maybe …September 2, 2021
BreakingFeaturedFilm ReviewsRobin C. FarrellSpotlight Film Review: “P!nk: All I Know So Far” Delivers Fun, Candor and Some Great MusicMay 20, 2021
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Herself” Features a Strong Lead Performance but Weak Storytelling AbilitiesJanuary 7, 2021
Christopher Llewellyn ReedFeatured SpecialtyFilm ReviewsSpotlight Film Review: In “I’m Your Woman,” Brosnahan and Company Rise to the OccasionDecember 10, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Uncle Frank” Triumphs Through Cliché Thanks to Powerful PerformancesNovember 24, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Borat Subsequent Moviefilm” Is a Mostly Glorious SequelOctober 22, 2020
Featured SpecialtyFilm ReviewsHannah TranSpotlight Film Review: “Time” May Feel Brief, but Its Message Is InfiniteOctober 16, 2020
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “Get Duked!” Is a Hilarious and Fun Comedy That is Wild, but Not Too WildAugust 27, 2020
BreakingFilm ReviewsHannah TranSpotlight Film Review: “Radioactive” Fails to Engender Empathy for Its Central Figure or Excitement for Her Life-Altering WorkJuly 23, 2020
