Featured SpecialtyFilm ReviewsHannah TranSpecialty ReleasesSpotlight Film Review: “Beans” Foregrounds Racial Trauma in a Coming-of Age Story, To Warm ResultsNovember 1, 2021
Christopher Llewellyn ReedFeatured SpecialtyFestivalsFFT Festival CoverageFilm ReviewsSpotlightToronto International Film Festival TIFF Review: Like It or Not, “Jagged” Is All About AlanisSeptember 19, 2021
BreakingFilm ReviewsMatt PattiSpotlight Film Review: “The Ice Road” Has Some Cracks, but Is Still a Fundamentally Sound Environmental ThrillerJune 25, 2021
Adam VaughnFeaturedFeatured SpecialtyInterviewsSpotlight Interview with “The Walrus and the Whistleblower” Director Nathalie BibeauMarch 4, 2021
Christopher Llewellyn ReedFilm ReviewsSpecialty ReleasesSpotlight Film Review: In “Matthias & Maxime,” the Journey Is the DestinationAugust 26, 2020
Featured SpecialtyFilm ReviewsPatrick HowardSpotlight Film Review: “Gordon Lightfoot: If You Could Read My Mind” Shines Light on the Unsung Hero of Canadian MusicJuly 29, 2020
BreakingChristopher Llewellyn ReedFilm ReviewsSpotlight Film Review: “Most Wanted” Offers an Entertaining, if Flawed, Crazy Real-Life TaleJuly 23, 2020
Film ReviewsMatt PattiSpecialty ReleasesSpotlight Film Review: “Ghost Town Anthology” Is Haunted by a Lackluster Plot and Lifeless CharactersApril 20, 2020
Christopher Llewellyn ReedFestivalsToronto International Film Festival Christopher Llewellyn Reed’s Top 20 Recommendations for TIFF 2019September 4, 2019
