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  • “The History of Concrete” Offers Hilarious Meditation
  • “Resident Evil” Is a (Mostly) Fun and Frightening Ride
  • TIFF Review: “Fjord”
  • TIFF Interview: “The Hummingbird Paints Fragrant Songs” Directors Èlia Gasull Balada and Matteo Norzi
  • TIFF Interview: “Re/Pair” Director Lacey Schwartz Delgado
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NYFF Review: “Titane” Revs Its Flashy Engine, Then Sputters

September 30, 2021
  • Christopher Llewellyn Reed
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Cinematic Takeaways from TIFF 2021

September 26, 2021
  • Christopher Llewellyn Reed
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TIFF Review: In “The Mad Women’s Ball,” Women Set Themselves Free

September 22, 2021
  • Christopher Llewellyn Reed
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TIFF Review: “Listening to Kenny G” Makes the Man and His Music (Surprisingly) Come Alive

September 20, 2021
  • Christopher Llewellyn Reed
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TIFF Review: Like It or Not, “Jagged” Is All About Alanis

September 19, 2021
  • Christopher Llewellyn Reed
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TIFF Review: “Petite Maman” Is Pure Magic

September 14, 2021
  • Christopher Llewellyn Reed
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TIFF Review: In Empowering “Violet,” the Voice of Male Derision Is Real

September 9, 2021
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6 Films to See at TIFF 2021

September 8, 2021
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  • Matt Patti
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Fantasia Film Festival Review: “The Last Thing Mary Saw” Achieves a Creepy Atmosphere but Shuts Its Eyes to Essential Elements

August 16, 2021
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  • Christopher Llewellyn Reed
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AFI DOCS Review: “Pray Away” Examines the Dangerous Consequences of Conversion Therapy

July 7, 2021
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AFI DOCS Review: “Courtroom 3H” Shows What Compassionate Legal Professionals Can Do

July 5, 2021

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Featured Specialty
  • “The History of Concrete” Offers Hilarious Meditation
    By Patrick Howard
    September 18, 2026
    The History of Concrete (John Wilson, 2026) 4½ out of 5 stars Have you ever heard of the old idiom “this is like watching paint dry”? A classic phrase to describe an act that will most certainly bore you to tears. With that idea in mind, hearing about filmmaker John Wilson’s new documentary The History of Concrete may send a shiver of tedium down your spine. Remarkably, John Wilson (HBO’s How to with John Wilson series) transforms material that ... >>
  • TIFF Review: “Fjord”
    By Christopher Llewellyn Reed
    September 17, 2026
    Fjord (Cristian Mungiu, 2026) 4½ out of 5 stars Norway is a beautiful country with majestic landscapes, home today to a people steeped in progressive Western European principles, its violent Viking past a distant memory. In Fjord, the latest film from Romanian writer/director Cristian Mungiu (Graduation)—who won his second Cannes Palme d’Or in May of this year—we find ourselves immersed in the life of a small waterside town, following the ... >>
  • TIFF Interview: “The Hummingbird Paints Fragrant Songs” Directors Èlia Gasull Balada and Matteo Norzi
    By Christopher Llewellyn Reed
    September 17, 2026
    TIFF Interview: “The Hummingbird Paints Fragrant Songs” ... >>
  • TIFF Interview: “Re/Pair” Director Lacey Schwartz Delgado
    By Christopher Llewellyn Reed
    September 16, 2026
    The new documentary Re/Pair, from director Lacey Schwartz Delgado, features a series of conversations between Black and Jewish Americans on the topic of tensions and solidarity between their respective groups. I saw the film ahead of the 2026 Toronto International Film Festival (during which I reviewed it) and then during the festival spoke in person with Schwartz Delgado. Here is that conversation, edited for length and clarity. ... >>
  • TIFF Review: “Phoolan”
    By Christopher Llewellyn Reed
    September 16, 2026
    Phoolan (Richie Mehta, 2026) 4 out of 5 stars Phoolan Devi, known as India’s “Bandit Queen,” may have been assassinated in 2001, but her earlier armed rebellion against the country’s deep-seated misogyny and caste prejudice made of her a star that keeps shining today. In writer/director Richie Mehta’s latest work, Phoolan, she is an unstoppable force to be reckoned with, refusing to accept the terms dictated by her world. Though born ... >>
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