Annapolis Film Festival Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Spotlight What to See at the 2022 Annapolis Film Festival (It’s 10th Anniversary Time!) March 30, 2022
Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: “The Yellow Wallpaper” Is a Blunt and Uninspired Take on the Classic Horror Short Story March 28, 2022
Breaking Hannah Tran Series Spotlight Series Review: “The Girl from Plainville” Turns Its Sensationalized Subject Matter into a Slog March 28, 2022
Featured Featured Specialty Film Reviews Jeremy Taylor Spotlight Film Review: 2022 Oscar-Nominated Live Action Shorts March 25, 2022
Breaking Christopher Llewellyn Reed Film Reviews Spotlight Film Review: Enjoyable (Enough) “The Lost City” Knows Its Place March 25, 2022
Christopher Llewellyn Reed Featured Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight MoMI First Look Review: “Babi Yar. Context” and “Mr. Landsbergis” Are Archival Masterworks March 24, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Seriously Red,” Dolly Parton Is the Way Forward March 22, 2022
Breaking Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “Dreaming Hollywood” Fails to Fulfill Its Dreams March 21, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: See What Marvels Kids Can Make in “More Than Robots” March 18, 2022
Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: In “Slash/Back,” Inuit Girls Rule March 16, 2022
Christopher Llewellyn Reed Featured Specialty Festivals FFT Festival Coverage Film Reviews Spotlight SXSW SXSW Review: “The Prank” Is Quite the Cool Stunt March 15, 2022
