Adam Vaughn Breaking Film Reviews Specialty Releases Spotlight Film Review: For All Its High Concept, “HellKat” Delivers All the Wrong Moves February 1, 2021
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: French Existentialism Meets Western in Effective “Savage State” January 28, 2021
Breaking Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: In Moving “Sing Me a Song,” Past, Present and Future Collide January 1, 2021
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “Habitual,” While Psychedelic in Concept, Is Lackluster in Execution November 12, 2020
Film Reviews Matt Patti Specialty Releases Spotlight Film Review: “The World Is Full of Secrets” Takes a Shot at a Unique Form of Storytelling but Completely Fails October 8, 2020
Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: In “Hollywood Fringe,” The Artistic Life Is Difficult September 1, 2020
Christopher Llewellyn Reed Film Reviews Specialty Releases Spotlight Film Review: In “Matthias & Maxime,” the Journey Is the Destination August 26, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “The Shed” Comes with a Loose Script and an Even Looser Concept August 26, 2020
Adam Vaughn Film Reviews Specialty Releases Spotlight Film Review: “Love Express: The Disappearance of Walerian Borowczyk” Adds a Sympathetic Light to the Life and Artistry of a Bold and Groundbreaking Director August 20, 2020
Film Reviews Hannah Tran Specialty Releases Spotlight Film Review: “Pretending I’m a Superman: The Tony Hawk Video Game Story” Is a Good Introduction to, but Poor Analysis of, the Game That Shaped the Sport Behind It August 17, 2020
Christopher Llewellyn Reed Festivals FFT Festival Coverage Film Reviews Specialty Releases Spotlight Film Review: “D.N.A. Definitely Not Appropriate” Is Genetically Passable August 13, 2020
